Feria

Seville, beautiful and diverse

In the Triana neighbourhood, in Seville, the Virgen de la Estrella Chapel is the definitive seat of the Pontifical, Royal, Illustrious and Fervent Sacramental Brotherhood and Confraternity of Nazarenes of Nuestro Padre Jesús de las Penas, María Santísima de la Estrella, Triunfo del Santo Lignum Crucis, San Francisco de Paula and Santas Justa and Rufina, after going through up to four previous s

Located in Seville, the Arco del Postigo del Aceite (Arch of the Gate of the Oil) is the only one of the three existing gates in the old Arab wall. Its origin dates back to 1107, in the time of Ben Yusuf, although it was greatly reformed in the 16th century by Benvenuto Tortello. The wall ran through what is now the Plaza del Cabildo, which still has a small section of the wall.

The Mudejar-style Church, named after the town’s patron saint, also has Gothic and Renaissance art elements. It was built over an ancient mosque destroyed by an earthquake in the fourteenth century. The old presbytery has been preserved from its initial construction. 

The Chapel of the Cruz de Arriba was recently renovated. It has a single nave with only one entrance decorated with modern blue and white tiles. The Chapel of Cruz de Abajo, located in the lower part of the village, was built in the mid-20th century and also has a single nave.

Located in the municipality of El Madroño, El Álamo has 86 inhabitants. The village is in the northwest of the province of Seville, on the foothills of the Sierra de Aracena. 

The construction of the building took place in three different periods. The first was between the 14th and 15th centuries, when a Mudejar church was built with three naves, a polygonal apse and a façade-tower. The second stage began in 1538, when part of the previous work was demolished and the construction of a new Renaissance-type temple began, but this was never completed.

The chapel was once known as San Ginés. It is located on the avenue of the same name, probably being a primitive Mudejar work, to which the external walls of the main chapel, which was totally renovated in the 18th century, would have belonged.