A caballo por la marisma

Seville, beautiful and diverse

Reconstructed in 1938, the church is home to paintings and images from the 17th century and 18th century, transferred here from the now-extinct La Victoria Convent in Estepa, including the image of the patron saint of the town. 

This is a single-nave building that shows classicist-style architectural features but with later alterations that detract from its original appearance. Currently, its interior is covered with a plasterboard ceiling. 

Although the Church was built between 1776 and 1836 on the remains of a building destroyed in 1755 in Lisbon earthquake, there are still decorative and building elements that date back to the Visigothic era and the Arab invasion. 

The church dates from the mid-17th century, the name of San Marcos being clearly linked to the devotions of the 4th Count of Ureña, Don Juan Téllez Girón (1624-1656). 

The workshop located in the industrial main street in Seville since the 19th century is the greatest example of Sevillian and Spanish goldsmithing that keeps its essence in the 21st century.

This small museum with two rooms is integrated into the baroque church of Saint Eutropius. The first room contains richly decorated chasubles from the 18th and 19th centuries, as well as other gold and silver liturgical objects and age-old parish documents. The second room features remarkable Simpecados and paintings, including Saint Mary Magdalene by El Greco.

The museum is located in the old sacristy of the Collegiate Church. Worthy of note is the collection of works made by Ribera (1616-1617) for the Duke of Osuna. There are also several choral books with beautiful Renaissance miniatures in bright colours.