Cascadas del Hueznar

Seville enchants

This religious building has a naval structure and a very modern temple built after the Second Vatican Council. The high altar is presided over by the image of Our Lady of Solitude on a neo-baroque silver stand. This sculpture was made by Manuel Mazuecos and Juan Manuel Miñarro. The Christ of Forgiveness is situated in the side chapel.

San Roque Parish Church is located in the Plaza Mártires del Pueblo in the Sevillian town of Las Cabezas de San Juan.

The church was built in 1955-1967, on the site of the old Shrine to San Roque.

The Shrine to San Roque is nestled in Pinares de Oromana at Cerro del Calvario, just south of the city and close to the River Guadaíra.

It houses a 16th-century statue of Our Lady of Bethlehem, and a 17th-century image of St Rocco. There is also a painting attributed to the 18th-century Sevillian School.

This is a late 19th century building, its exact year of construction being 1891. It was built by the resident of this town, Francisco de Paula Gálvez Gómez, in gratitude to the Virgin for having saved his life from Asian cholera in 1890.

This small Mudejar church has a typical mountain architecture consisting of a single nave with transversal arches and a standalone main chapel. The chapel is covered with a dome crowned by a cupola that was added during the Baroque period. The main entrance, at the west end, is also Baroque. The pointed arch on the right wall, obscured by several adjacent rooms, is Mudejar.

This 19th-century neoclassical church was built over an earlier 14th-century temple (Shrine to Our Lady of Solitude), demolished in 1800 by the Count of Altamira. The church has a rectangular plan, a central nave and two aisles. The central nave, which is larger than the aisles, is covered with barrel vaults and the aisles with groin vaults.

The 17th-century Shrine to San Sebastián has been renovated several times in the 18th, 19th and 20th centuries. The story behind this Shrine remains a mystery in many ways. It remains unclear how the image of Saint Sebastian came to Brenes, although it is thought that it may have come from a convent in Seville. The 16th-century sculpture, by an anonymous author, is used for religious purposes.